![]() ![]() The module provides an interface similar to audio graphic equalizers, with 9 bands (available as fixed sliders or nodes on a spline view), allowing you to selectively push or pull the exposure for each band in the range from blacks to specular highlights. It brings an easy and safe way to remap tones locally, performing a quick zone-based dodging and burning using Ansel Adam’s zone system logic. A new module ‘tone equalizer’ is designed to merge the features of ‘zone system’, ‘shadows and highlights’, and (local) ‘tone mapping’ modules in a scene-referred RGB space.The old ‘filmic’ module is now deprecated and is only available on images where it was already used for editing. ![]() This new version replaces the one introduced in 2.6.2 it should be easier to use, and it will reduce color casts. A new module ‘filmic RGB’ which, like the previous ‘filmic’, is designed to replace ‘base curve’, ‘shadows and highlights’ and other global tone-mapping modules.There is also a new ‘strong’ processing option and a new color picker which creates a curve based on the selected image area. By default, the spline adjustment is now similar to the curve controls, allowing you to add and delete nodes, but these nodes can still be moved with the old-style size control by selecting the ‘edit by area’ checkbox. The ‘color zones’ module now shows a histogram based on the chosen ‘select by’ channel, and if the color picker is in ‘select area’ mode, the range within the selected area will also be shown.These seven modules (some are RAW-only) have a specific icon to identify them easily: They are always active as necessary for processing images, and are not removed by compressing history or by selecting one as a starting point for editing. ![]()
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